Page proofs and covers

Last night Penguin books held a little social gathering (as they seem to frequently do) for people who either write about books or select the books that go into shops. It wasn't until I found the private club where the party was being held that I remembered that I haven't really left the house since December and have therefor completely forgotten how to act at these things. And I'm starting to suspect that final edits isn't a good stage during which to go out and be charming about books, because it seems that a project is only truly done when I've completely given up on it. The whole reason I get invited along is to be charming about books in the general direction of the people who can influence how many people read them; the reason I say yes is that it's a rare chance to meet writers who aren't products of Norwich. This time I was especially lucky in that I got to gush to Carys Bray over how much I loved A Song for Issy Bradley and The Museum of You, and got to meet Jenni Fagan well in advance of doing Edinburgh Festival with her later this year.

Jason also happened to be there, and in what felt both old-fasioned but appropriate to the fact that we were drinking wine in a private members' club in Soho, he gave me this:

Page Proofs! It should surprise no one that I have pens reserved specifically for the job of marking these up.

This should be the last batch of corrections, which makes me a little anxious because the revision process has been too quick this time for me to second-guess myself on anything. But I've three times regretted writing the book at all, which means that it's very close to being finished.

Over the course of the night it came out that I'm practically the only person who hasn't gotten to see the cover yet, because they haven't made up their minds and they don't want me to fall in love with a cover that gets binned. But it's only a week until the bound proof comes out, so Jason was easily convinced to hand them over:


 

Most of them are out of the running, but I like seeing all of the iterations. They look nothing like what I imagined they would, but they all fit the book very well.

Now all I have to do is learn to pronounce the title clearly enough so that people know what on earth I'm saying.

A Parcel of Penguins.

I was drafting this morning, and I realised that I needed to know the date of the Branch Davidian Massacre in Waco, Texas.

I've already looked up the date of the Waco massacre, and I've written it down. Twice. On the backs of pieces of paper that had important things on their other side. So heaven knows where they are now.

I may have written something important for The Shore on the back of my CAS Letter, which is the sealed and notarised document that gets me into the country.

So I realised that I needed a notebook dedicated to information about this novel, since it involves a lot of this type of minutia.

The notebook I bought, because every time I go to a bookstore I spend twenty minutes looking at them

 I have a thing for notebooks. An obsession. And i figured that this circumstance justified indulging the obsession. So I went to Waterstones especially for a Paper Blank. Because they are pretty and I've wanted one for a while. Which is why I didn't go for a Moleskine, which are like crack to every academic I know - someone gives us the first one as a present and then ever after you can't switch back. I have one I was given by the head of the writing lab for tutoring my sophomore year of undergrad, and it still looks new. After being in my bag when a water bottle exploded. Twice.

So I went for a notebook, and I had a poke around, and I discovered something beautiful.

I have the biggest intellectual crush on this man. 

There are one hundred of them.

Left to right: The Art of War, A Room of One's Own, and the Tao Te Ching.

They each cost less than a double on the rocks. 

I've gone to bookstores in three cities and I still haven't found a copy of A Tale of a Tub: The hunt is on!

And they make me happy - Penguin was originally founded to provide good, cheap reading material for people in transit, way back when all the real literature worth reading was expensive and not pocket sized. So having a copy of Mill on liberty feels like a wonderful return to basics. Though I may have taken to darting into every bookshop I pass in the hope of finding them all.

If all of my books were bound in this format The Luminaries would probably be six inches thick.

Oh, and look what wandered over my doorstep today:

There was one thing that surprised me upon finally seeing these two side by side:

See it? Seeeee it?

There's a half inch difference in the thickness of these two books. I measured. And it isn't because Twilight has large print and wide margins. Quite the opposite, actually.

Stars on the left, Twilight on the right

For some reason, I expected Stars to be more substantial. And Twilight to be quite a bit less substantial. Huh. So far, the only comparison I can draw is that one's got a handily short title, while the other is a pain to type over and over again. That should soon be remedied by the four hour train journey to Reading that's coming up later this week. I don't know whether I'm apprehensive or excited.